his teens, he was touring with such groups as Peck Kelly's Bad Boys. Two drinks later, Pee Wee was back with the guy, who was wearing a horrible looking cap and overcoat and carrying a trombone case under his arm. At the Playboy Jazz Festival, Jack introduced the trumpet player in his group, a fine young musician, Don Goldie, and recalled to the huge audience that Goldies father had played in a Teagarden band many years ago. Your email address will not be published. He was just downing the dregs of it when the door of the dive opened and in burst a very cute little blond. The musicians thought he was some kind of gag. Louis Armstrong, himself in poor health, was so grief-stricken at Teagardens death, Atwell says, that his doctors forced him to bed and wouldnt allow him to attend the funeral. This is a Teagarden album like nothing else in his 40-year discography. It is well known, that he was rarely content to let his nights work end when the band trouped off the stand, but would always be ready for some after-hour sessions. Jack Teagarden, byname of John Weldon Teagarden, (born August 20, 1905, Vernon, Texas, U.S.died January 15, 1964, New Orleans, Louisiana), American jazz trombonist, unique because he developed a widely imitated style that appeared to have arrived fully formed. Jack Teagarden played trombone with a relaxed style and a unique His birthplace was Vernon, Texas, and the date was August 20, 1905. Teagarden married Adeline Barriere Gault in September 1942; they had three children of their own and one foster child. He and his mother played duets (trombone and piano) as background to the silent films at a Vemon theater. Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. The New Grove Dictionary of Jazz, for one, calls him the finest of all jazz trombonists.. Digitized at 78 revolutions per minute. While every effort has been made to follow citation style rules, there may be some discrepancies. Looks like we don't have trademarks information. Known affectionately as Mr. Teagarden is considered by many critics to be the finest of all jazz trombonists.(Kernfeld, 1988) Teagarden single-handedly created a whole new way of playing the trombone " a parallel to Earl Hines and the piano comes to mind " and did so as early as the mid-twenties and evidently largely out of his own youthful creative resources.". Benny Goodman and His Orchestra - Vocal Refrain by Jack Teagarden. This was the period when everybody who was anybody in jazz had their own band, so Jack Teagarden decided to organize his first band in 1939. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era Pee Wee Russell once called him "the best trombone player in the world". First is a delightful biographic sketch of Jack Teagarden written for the January, 1960 issue of International Musician Magazine. Tell us why you would like to improve the Jack Teagarden musician page. Its a relatively simple blues chorus, but is constructed nimbly and, for the time, is pretty far out. Jack said, When I blow a big noise out of that old horn, then I feel peaceful. Teagarden seems strangely uncomfortable without his trombone in hand and at least a rhythm section nearby to back him up. Weldon Leo " Jack " Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. [4], Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. His wife is Adeline Barriere (1942 - 15 January 1964) ( his death) ( 1 child), Billie Coates (1938 - 1941) ( divorced), Claire Manzi (1930 - 1936) ( divorced), Ora Binyon (1923 - 1930) ( divorced) ( 2 children) Jack Teagarden Net Worth His net worth has been growing significantly in 2021-2022. His technical approach in particular was quite unorthodox. From 1939 until 1947 he toured with his own big band, which, though financially unsuccessful, produced both good music and good musicians (including Charlie Spivack and Ernie Caceres). Although gifted with an amazing technical virtuosity, the curiously mixed scale of feeling Teagarden draws from his horn has its origin in this childhood heritage. I went to the kitchen to say hello. Looks like we don't have quotes information. Although Whitemans Orchestra do feature Teagarden occasionally (and he previously a limited period in 1936 using a little group in the music group, the Three Ts, along with his sibling Charlie and Frankie Trumbauer), the agreement effectively held Teagarden from venturing out by himself and learning to be a star. The authors favorite Teagarden chorus (and everyone who professes a liking for jazz must have at least one favorite Teagarden chorus) is the one Jack plays on Jack Hits the Road, recorded for Columbia some twenty years ago, In it, Teagarden neatly demonstrates the things to come on his instrument. This All Stars group, a sextet along the same lines as Armstrongs All Stars, with various musicians including at times Earl Hines, Teagardens brother Charlie on trumpet and his sister Norma on piano, was also a success, touring both Europe and Asia and playing traditional jazz in a way that made it sound fresh and creative. Trains, hotels and restaurants often refused them service unless they split up. After two months with the Tommy Gott Orchestra Teagarden secured a position in Pollacks organization, where he beat Glenn Miller for the seat of first trombone. Its the closest thing in print to hearing Teagarden play. In New York, Teagarden became enthralled by Harlems black nightclubs, where he was often invited to join late-night jam sessions. Another interesting aspect of the recordings of this period is that they show very clearly that, unlikely many other jazz musicians of the time, Teagarden was a true improviser, giving notably different solos on different takes of the same piece " even when the recordings were made on the same day. He has a natural way with anything mechanical and spends a lot of time plying his tools in his home workshop. Jack said, Meet me after the last show in the cafe next door and we will go see the town. So I sat around until Jack and the boys earned their money and along about 11:15p.m. Also Teagarden tuned the two available pianos in the remote city of Kabul, Afghanistan, where most of the populace had never seen brass musical instruments before. It is for that kind of lyric and melodic beauty that we should listen to Jack Teagarden, because such are the standards he has set for himself. Musician Barney Bigard once told her, You were the only person he could ever talk to., Bigard, from his book on Teagarden: He drank a lot, practically all the time in fact, but he always could play and never showed that liquor He was a quite man. One of the most remarkably consistent performers in jazz history, Jack Teagarden never played less than flawlessly and, when in the right company, frequently set standards for creativity and instrumental brilliance that to this day remain beyond the grasp of most. We follow it with an insightful article written September, 1960 for Connchord Magazine. Musical Family. Teagarden became ill in Japan, and returned after the tour a very weak and very sick man. he is survived by his widow, Adeline; three sons; a daughter; his mother; brother Cubby, and a sister, Norma. Teagarden became the first white musician to travel on the road with an all-black band. The trombone slide has seven positions where traditionally notated (chromatic scale) pitches can be played. Both were deeply affected by a knowledge of and ease with the blues that was available to few white players of the time. T. documented frequently numerous groups including systems going by Roger Wolfe Kahn, Eddie Condon, Crimson Nichols, and Louis Armstrong (Knockin a Jug). Trombonist, singer. Teagarden divorced and married his second wife, and this marriage lasted three years before he divorced and married his third, a hotel phone operator. While still in } The band featured Teagarden on trombone, brother Charlie on trumpet and Frank Trumbauer on sax as The Three Ts.. { Only the very rare exceptions are universal favorites among fans of all schools. Jack Teagardens playing style was lyrical and seemingly effortless. The reaction to his unique style of trombone- playing appears to have been both immediate and widespread. Jack Teagarden played trombone with a relaxed style and a unique technique that still inspires awe even today. something many trombonists emulated. New Orleans-style trombonists tended to play in the lower range of the instrument, where it is simply impossible to change notes as quickly as a trumpet or clarinet does; entire arms cant move as fast as a single finger. The Texas town in which Teagarden grew up had a large black population, and he must have heard spirituals, work songs, and blues from a very early age; in fact, revivals were commonly held within earshot of his home. After working in the Southwest and in Mexico with pickup bands, he came to New York in 1927. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style influenced several other important jazz singers, and he is widely regarded as the one of the greatest, and possibly the greatest, trombonist in the history of jazz. And they had a rule: if one side couldnt eat, then the other side didnt eat.. It keeps me busy explaining why I cant.. He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. During the 50s, Teagarden tried to stop drinking, and he left Armstrongs band to save his health and his marriage. At this point, he was also the grand old man of the instrument, well-respected both by traditionalists and (unlike many other traditionalist players) also by the more modern generation of trombonists. Nevertheless, it had been rather past due to be arranging a fresh orchestra (your competition was brutal) and, although there have been the right musical moments, non-e from the sidemen became popular, the preparations lacked their very own musical character, and by enough time it split up Teagarden was facing personal bankruptcy. With his sextet, he covered a circuit extending from Hong Kong to Okinawa with concerts in Bombay, Colombo (Ceylon), Tokyo, and Karachi (Pakistan). Mole also specialized in technically spectacular playing, with staccato phrasing, big leaps, and surprising note choices. Hit hard by both the war and the competition from bebop, several of the more famous big bands called it quits in 1946, and so did Teagarden. In the 1930s he was married to and divorced from, successively, Clare Manzi of New York City and Edna Billie Coats. In 1938 he left Whitemans band to form his own. No accompanist, just neat. The siege of troubled yearsthe mid-thirties through the late fortiesTeagarden spent as an itinerant jazzman, reckless, unsettled, always on the lookout for a place to blow his horn. What he heardhelped shape his style. But they could not keep him from sitting on a fence near his home and listening to theNegroes singing in a church next door. I asked, Do your really want a fur coat that much?, She stared and then she laughed bitterly. The tune is one that we all know well (which is a help, of course, and one that Teagarden assumes), and, for his part of the performance, Jack gets just the first half of the length of tune, right after Armstrongs vocal course. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. The masterful Teagarden was an American original whose style and vocals epitomized authenticity both in their execution and sound. Mr. Teagarden was responsible, in the late twenties, for an addition to jazz folklore. Show less, One Night Only! "url": "https://www.allaboutjazz.com/musicians/jack-teagarden" It was the first time I became aware of segregation, she says. 29, 1905, Teagarden learned trombone by the age of 10. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". While his most innovative days were in the late '20s and '30s, he remained a viable and highly enjoyable jazzman (and a popular attraction on the Dixieland circuit) up until his death in 1964. Next, a poignant obituary written by columnist Tony Weitzel for the Chicago Daily News, January 17, 1964. Teagarden was one of the musicians on the first interracial recording session, organized by Condon. singer, charming and warm, with influences from the African American One of the surest signs of this newfound responsibility (or perhaps only a reinstated dignity) was Teagardens tour of the Orient, under the auspices of the U. S. State Department. Eddie said, Why dont you record my song? And thats what Teagarden did. In 1964, while playing the Dream Room in New Orleans, he succumbed to pneumonia, brought on by a lifetime of too much booze, too many cigarettes and too many one-night stands. Jack Teagarden. In 1947, he left the bigband business entirely, playing in ensuing years with Louis Armstrong and with groups he himself headed. Jack Teagarden. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style . The placards urge patrons to write their con gressman protesting the tax which has hurt the means of livelihood of many musicians and entertainers. In 1933, after a brief stint in Mal Halletts band, he signed on with Paul Whitemans orchestra for five years. Jack Teagarden was the top jazz trombonist to emerge before World War II. Teagarden was born in 1905 in Vernon, Texas. Therefore he has to take something shorter than the original, and make it complete in itself yet not so final that what follows his solo will sound like padding. During the next 12 years Mr. Teagarden played with bands headed by Ben Pollack, Mal Hallet and Paul Whiteman. He was a nervous guy, never quite comfortable sitting down or standing still. From 1947 to 1951 he toured with the Louis By the time Teagarden landed jobs in New York, in the mid 20s, his reputation had preceded him. In 1927, he went to New York City where he worked with several bands. His widow, Addie, a pioneer woman aviator and big band manager, eventually moved from Broward to South Dade, and then back to Fort Lauderdale, where she lived with Atwell until she died penniless in 1997. His mother was a piano teacher, and Teagarden began playing piano by the age of 5, the baritone horn by 7, and the trombone by 10. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60. Teagarden particularly made some noteworthy contributions while working at this time with Eddie Condon. He led one of the longest-lasting big bands, from 1939 to 1946, but his generosity, poor business judgment and the war combined to close it down. They belong to him not because he had a hand in writing them (he didnt) but because he pops in mind as the singer whenever these tunes are brought to mind. He headed back to New York, and by 1947 was playing with Louis Armstrongs All Stars, a smaller group that is considered to have been a leader in the anti- bebop traditional jazz revival movement. By 14, Teagarden was playing professionally. It was a steady, well-paying job, for which Teagarden was apparently grateful; he seems to have been perpetually unlucky with both women and money, and had already experienced some personal financial problems. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". It comes through in his playing and his singing and the way he lives. And what do you know? The following year the family moved to Oklahoma City. Teagarden appeared in the movies Birth of the Blues (1941), The Glass Wall (1953), and Jazz on a Summers Day (1959). Required fields are marked *. About 1923 he briefly attempted to enter the oilfield business in Wichita Falls but soon gave up the venture and returned to music. Heand Adeline or Addie, became engaged before he was divorced, and she would eventually become his forth and final wife. Jack Teagarden, byname of John Weldon Teagarden, (born August 20, 1905, Vernon, Texas, U.S.died January 15, 1964, New Orleans, Louisiana), American jazz trombonist, unique because he developed a widely imitated style that appeared to have arrived fully formed. Now she wants to create a Web site and write a book about him, before all those who knew him and heard him play are gone. Few people realize that Teagarden, known as Tea or simply T, lived his last years in South Florida. From a jazz-oriented family. The All Stars did well, but Teagarden left in 1951, in order to once again put together his own band. He told endless stories about a Texas piano player named Peck Kelley, and although almost no one else in jazz ever heard him play, Mr. Kelley became a legend. I Gotta Right to Sing the Blues in particular became a signature piece for him. Updated April 25, 2019 - Doug Ramsey. 1940. I dont want a coat, she wailed. And Mom had to explain to me that they werent allowed in the room because they were black. Jack started on piano at age five (his mother Helen was a . Jack was given piano lessons when he reached the age of five. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); 1905 in Vernon 1920s - 1960s 1964 in New Orleans Al Grey Amiable/Good-Natured August 20 Big Band Bing Crosby Bunny Berigan Carefree Cliff "Ukelele Ike" Confident Day Driving Dixieland Earl Hines Dixieland Al - At the Olympia Theatre Early Jazz Elegant Exuberant Family Gatherings Fun Housework Indulgent Jack Teagarden Jack Teagarden - 100 Years from Today Jack Teagarden - Jazz Great Jack Teagarden - Mis'ry and the Blues Jack Teagarden - The Club Hangover Broa Jack Teagarden - The Indispensable 1928- Jack Teagarden-Earl Hines All-Stars January 15 Jazz Johnny Mercer LA Mainstream Jazz Nostalgic Playful Refined Reminiscing Road Trip Show/Musical Sidney Bechet Sophisticated Stylish Sunday Afternoon Swing TX Uplifting Vacation Visceral Warm Weldon Leo Teagarden Whimsical. Many critics believe that Teagardens best years were over when he left Armstrong in 1951 to form his own group. While America struggled through the depression, Teagarden gained financial success by joining the Paul Whiteman band in 1933.
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